Journal
Notes from the studio: new typefaces, how they are drawn, and how to use and license them.
Behind the font
One slider for weight, one for swashes: inside Last Christmas Variable
Most variable fonts let you slide from thin to bold. Last Christmas Variable has a second slider that brings in the swashes, from none at all to every one.
Behind the font
Built from parts: how Last Christmas is put together
Hundreds of letters in Last Christmas were never drawn as whole letters. They are assembled from 40 plain letters and 38 swash parts, like a construction kit.
Guide
How to pair a script font with a sans serif
A script and a clean sans are the classic pairing for invitations, menus, labels and posters. Five rules that make the two work together, with examples.
Tools
Måns AI Tools: kerning, spacing, anchors and variable fonts in Glyphs
Four plugins for Glyphs that kern, space, place anchors and build a variable font from a single style. Free on A–Z and a–z; one license unlocks the whole font.
Licensing
Which font license do you need? Desktop, web, app and broadcast
Most projects need only the standard desktop license. What it covers, when you need a webfont, app or broadcast license, and what each one costs.
New release
Last Christmas 2.0: new swashes, three weights and a variable font
Version 2.0 of Last Christmas adds swash alternates for every letter, Light, Regular and Bold, and a variable version. What is new and how to use it.
